Chris Hayes Art

Artist stuffed his dead cat and made it into a helicopter after it was hit by a car.

Wtf!!! :D

Here’s the article:http://www.news.com.au/travel/news/meet-orville-the-flying-dead-stuffed-cat/story-e6frfq80-1226383126494

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colourthysoul:

Jean-Louis Forain - Can-Can Dancers.

(Source: Wikipedia, via cavetocanvas)

Andy Warhol is so many things all in one. Artist, provocatrue, and writer. This photo has a quote taken from a book written by Warhol which espoused such statements as “making money is art”. 

Whether or not Warhol endorsed the consumerist image he put forward is irrelevant, no one can see Warhol paintings and learn of his philosophy and not be changed forever…

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ssdmmfr:

Artist:

Steven Daluz

hadrian6:

Marius at Minturnae. 1786.   Jean Germain Drouais.

http://hadrian6.tumblr.com

This is a painting from an artist I found on facebook called Gino Hollander.

Gino Hollander began painting in 1960 at the time that a new medium – acrylic paint – was emerging and he was among the first to explore its possibilities. Viewing his work now, one becomes aware of the virtuosity of both the painter and his medium.

Hollander paints for himself. He has no wish to engage in a dialogue with the viewer. It is for him to paint for the viewer to view, the two separate faces of any work of art; both allow a work to be. He refuses to title his paintings. He tells no stories. His people are purposely poised on the far edge of nothingness, faces left blank or at best enigmatic. His figures are abstracted and his abstracts disturbingly figurative. He’ll paint through the day and on into the night, each canvas a different mood. From stark black and white to a splash of brilliant colors and on to a subtle moody sepia, then back to a black and white, gentle this time. He is a complex man and his canvasses reinforce this complexity in the very simplicity of their form and content.

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Gino Hollander: http://www.facebook.com/pages/Gino-Hollander/20573355161?ref=ts

Rebloged from http://otononooto.tumblr.com/

(Source: circularthoughts, via otononooto)

What could I add to the commentary of this painting?? it is so famous, nearly every one knows its name, and basically all the art students of the world will know the period, techniques and historical context.

But, when something such as this becomes so well known, it is priceless. In a monetary sense I mean. But to the viewer, does it become worthless due to the reproduction? can we even see this painting anymore, or has it become a parody of itself… 

John Berger has covered this topic very well and I am inclined to agree. Paintings such as this have become so widely known, that they have overstretched themselves so much, they have collapsed into themselves.

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Sculpture by New York based artist, Banks Viollete.

Personally I love Violette’s edgy strong black minimalist style. It is an almost violent clearing out of pretensions and airy waffle. It is a firm, commanding assertion. Unyielding and terrifying.

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